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In the 1980s, I was doing my graduate work at the University of Arizona
with Dwaine Greer, Jean Rush, and Harry Broudy. It was fascinating watching
them articulate and disseminate Discipline-Based Art Education. The process was
rewarding and frustrating, intellectual and political. One day I discussed my
experiences with an elderly neighbor who was a retired art teacher trained in
creative expressionism. She was horrified, clearly believing that DBAE would
harm children. ¡§But how could you do this?¡¨ Peg gasped. ¡§And why?¡¨ I struggled
to answer the questions to her satisfaction. Finally I replied, ¡§Times change,
and ideas change with them.¡¨ I meant no disrespect for her knowledge, her
beliefs, her experience in the classroom; they form a part of our history.
Still, I wanted to persuade her to consider the new ideas. Knowing she had many
medical problems, I ventured an analogy: ¡§Would you want your doctor to be
doing what she learned in medical school 30 years ago, or would you want her to
use up-to-date treatments?¡¨ I think of Peg now as visual culture art education
emerges. I remember how hard it was for her to accept changes in what she knew
and loved. I also know, however, that I want my physician--and myself--to be up
to date. I believe I have a responsibility to my students and my field to
consider new ideas that will shape future practice. I encourage you to consider
these ideas along with me, to ask questions, to establish a professional
dialogue that will define art education now and in the future. It is a
never-ending process. Fifteen years ago it was DBAE; 15 year from now, it will
be something else. What will it be in the interim? Should art education include
visual culture?
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