|aPerforming interdisciplinarity : |bworking across disciplinary boundaries through an active aesthetic / |cedited by Experience Bryon.
|aworking across disciplinary boundaries through an active aesthetic
|aAbingdon, Oxon ; |aNew York, NY : |bRoutledge, |c2018.
|axv, 251 p. : |bill. ; |c24 cm.
|aIncludes bibliographical references and index.
|aIntroduction / Experience Bryon -- Part I : active aesthetic: Knowledge Performing / Experience Bryon -- Part II : virtual: Performance and Digital / Joanne Scott -- Cross-Chapter Discussion: virtual and mediation -- mediation: Performance and Installation Art / Luis Campos -- Cross-Chapter Discussion: mediation and utopia -- utopia: Performance and Social Geography: shattering the real with utopian dreams / Selina Busby -- Cross-Chapter Discussion: utopia and role -- role: Performance and Pedagogy / Jessica Hartley -- Cross-Chapter Discussion: role and embodiment -- embodiment: Performance and Cognitive Science / Deirdre McLaughlin -- Cross-Chapter Discussion: embodiment and story -- story: Performance and Psychology / Antonia Batzoglou -- Cross-Chapter Discussion: story and virtual -- visibility: Performance and Activism / Nando Messias -- Cross-Chapter Discussion: visibility and 'the subject' -- 'the subject': Performance and Political Philosophy / Rachel Cockburn -- Cross-Chapter Discussion: 'the subject' and voice -- voice: Performance and Forensics / Konstantinos Thomaidis -- Cross-Chapter Discussion: voice and visibility.
|aPerforming Interdisciplinarity proposes new ways of engaging with performance as it crosses, collides with, integrates and/or disturbs other disciplinary concerns. From Activism and Political Philosophy to Cognitive Science and Forensics, each chapter explores the relationships between performance and another discipline.
Experience Bryon, PhD, is a performance practitioner and Senior Lecturer at the Royal Central School of Speech and Drama. She specialises in Practice as Research, interdisciplinary performance practice(s), physical/vocal praxis, and performance as it engages across disciplines. She is also author of Integrative Performance: Practice and Theory for the Interdisciplinary Performer (Routledge 2014).